Tinley Park, Ill (July 25, 2017)

” The Paul McCartney live experience is everything any music lover could ever want from a rock show — and so much more: Nearly three hours worth of the greatest moments from the last 50 years of music, dozens of songs that have formed the soundtracks of our lives. Paul and his band have played an unparalleled range of venues and locations: outside the Coliseum in Rome, Moscow’s Red Square, Buckingham Palace, The White House, a free show in Mexico for over 400,000 people, the last ever show at San Francisco’s Candlestick Park where The Beatles played their final concert 1966, and even one performance broadcast live into Space! Featuring Paul’s band of the last 10+ years – Paul “Wix” Wickens (keyboards), Brian Ray (bass/guitar), Rusty Anderson(guitar) and Abe Laboriel Jr (drums) – the show is never anything short of life-changing.”  https://www.paulmccartney.com

Preserving moments in live music since “2006”
George Burrows  I Publisher I  319-560-3905 



A Hard Days Night
Save Us


Can’t Buy Me Love


Letting Go


Temporary Secretary


Let Me Roll It


I’ve Got a Feeling


My Valentine


Nineteen Hundred and Eighty-Five


Maybe I’m Amazed


We Can Work It Out

In Spite of All the Danger

Love Me Do

And I Love Her


Here Today

Queenie Eye

The Fool on the Hill

Lady Madonna


(Rihanna and Kanye West and Paul McCartney cover)

Eleanor Rigby

I Wanna Be Your Man

Being for the Benefit of Mr. Kite


Ob-La-Di, Ob-La-Da

Band on the Run

Back in the U.S.S.R.

Let It Be

Live and Let Die

Hey Jude



Sgt. Pepper’s Lonely Hearts Club Band (Reprise)

Hi, Hi, Hi


Golden Slumbers

Carry That Weight

The End


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George Burrows' fascination with live music began in the 60's. He saw Cream on October 14, 1968, at Vets Auditorium in Des Moines, One year later Burrows attended The Denver Pop Festival in Mile High Stadium. He witnessed The Jimi Hendrix Experience's final gig on June 29, 1969. His list of artists included many who have shaped music for decades. Around 1993 Burrows become friends/colleagues with people in the music industry. He had developed an impressive networking resume which he used it to his advantage and began a concert photography website. He worked for free through multiple live music websites designed to promote live music and the often struggling artists and venues. His shoot for no pay was an obstacle with other photographers. Burrows’ sole purpose for LGS was for the art, not monetary means. He lived in the music environment and soon developed name recognition. After the loss of his brother, a professional drummer, in 2014, he became serious about becoming a drummer. Burrows began drum lessons. The LGS website, contributors and his studies did not match. In 2016 he was about to pull the plug on LGS and embrace drumming. After a chance consultation with one of the most highly regarded session drummers and programmers today he got his answer. Start a website featuring only drummers. With help, he launched https://www.drummersphotgrapher.com. Burrows added his passion for drumming with his expertise of live music photography by launching Drummer Photographer LGS.


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