Iowa City (July 2, 2017)

Labeled “a prepossessing young trumpet player…” (New York Times), John Raymond has been making a name for himself as one of the most promising, up-and-coming jazz musicians in New York. Originally from Minneapolis, MN, John has performed with some of most well-respected names in jazz including Billy Hart, Orrin Evans, Kurt Rosenwinkel, Ethan Iverson, and Linda Oh among others. John was awarded the 2015 Herb Alpert Young Jazz Composer Award presented by ASCAP, and was included in the “Rising Star Trumpet” category in Downbeat Magazine’s 2016 Critic’s Poll. 

His newest album – “Real Feels – Live Vol. 1” (out October 7, 2016) – is a follow up effort to “Real Feels” that was recorded live on tour. The album includes rising stars Gilad Hekselman (guitar) and Colin Stranahan (drums), and the unique bass-less trio incorporates indie-rock inspired originals and covers with fresh takes on familiar songs stemming from Raymond’s roots as Midwesterner. From American folk songs like Woody Guthrie’s “This Land Is Your Land,” to classic hymns such as “Amazing Grace,” to Lennon & McCartney’s “Blackbird,” to Thom Yorke’s “Atoms for Peace,” the music undoubtedly evokes a nostalgia for the past. However, “Real Feels” is far from being antiquated; the band’s improvisational, free-wheeling, keep-you-on-the-edge-of-your-seat kind of approach to the music makes the songs feel entirely relevant. 

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George Burrows' fascination with live music began in the 60's. He saw Cream on October 14, 1968, at Vets Auditorium in Des Moines, One year later Burrows attended The Denver Pop Festival in Mile High Stadium. He witnessed The Jimi Hendrix Experience's final gig on June 29, 1969. His list of artists included many who have shaped music for decades. Around 1993 Burrows become friends/colleagues with people in the music industry. He had developed an impressive networking resume which he used it to his advantage and began a concert photography website. He worked for free through multiple live music websites designed to promote live music and the often struggling artists and venues. His shoot for no pay was an obstacle with other photographers. Burrows’ sole purpose for LGS was for the art, not monetary means. He lived in the music environment and soon developed name recognition. After the loss of his brother, a professional drummer, in 2014, he became serious about becoming a drummer. Burrows began drum lessons. The LGS website, contributors and his studies did not match. In 2016 he was about to pull the plug on LGS and embrace drumming. After a chance consultation with one of the most highly regarded session drummers and programmers today he got his answer. Start a website featuring only drummers. With help, he launched https://www.drummersphotgrapher.com. Burrows added his passion for drumming with his expertise of live music photography by launching Drummer Photographer LGS.

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