Over the past year, The Englert Theatre commissioned 31 musicians and bands to write and record songs inspired by experiences or impressions of Iowa City. The songs — the bulk of them recorded locally — were collected into a compilation album called the Iowa City Song Project. The album features a diverse collection of artists tapping into sounds that range from roots-rock traditions to the experimental and avant-garde. It all makes sense: Iowa City is the home to folk-rock legends Greg Brown and Bo Ramsey, and it is also home to Night-People Records, the LP and cassette label that has released music from Dirty Beaches, Peaking Lights, and its flagship band Wet Hair. Iowa City has always been a welcome stage for Americana of all types — the folk sounds heard at The Englert Theatre and the 50-year old Mill, the rock ‘n roll at Gabe’s, and the new sounds heard at basement and house shows. This collection of songs, which could never claim to be the final word on a continually growing music community, is nonetheless a colorful snapshot of the scene that has been inspired by this small but vibrant town. The Iowa City Song Project is The Englert Theatre’s first commissioned work.

The performers:

[one_half]Pieta Brown & The Sawdust Collective[/one_half]

[one_half]Caroline Smith & the Goodnight Sleeps[/one_half]

[one_half]Brooks Strause & the Gory Details[/one_half]

[one_half]Christopher the Conquered[/one_half]

[one_half]Chasing Shade[/one_half]

 

 

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George Burrows' fascination with live music began in the 60's. He saw Cream on October 14, 1968, at Vets Auditorium in Des Moines, One year later Burrows attended The Denver Pop Festival in Mile High Stadium. He witnessed The Jimi Hendrix Experience's final gig on June 29, 1969. His list of artists included many who have shaped music for decades. Around 1993 Burrows become friends/colleagues with people in the music industry. He had developed an impressive networking resume which he used it to his advantage and began a concert photography website. He worked for free through multiple live music websites designed to promote live music and the often struggling artists and venues. His shoot for no pay was an obstacle with other photographers. Burrows’ sole purpose for LGS was for the art, not monetary means. He lived in the music environment and soon developed name recognition. After the loss of his brother, a professional drummer, in 2014, he became serious about becoming a drummer. Burrows began drum lessons. The LGS website, contributors and his studies did not match. In 2016 he was about to pull the plug on LGS and embrace drumming. After a chance consultation with one of the most highly regarded session drummers and programmers today he got his answer. Start a website featuring only drummers. With help, he launched https://www.drummersphotgrapher.com. Burrows added his passion for drumming with his expertise of live music photography by launching Drummer Photographer LGS.