Des Moines, Iowa (February 20, 2010) 

Vaudeville Mews Live Music Venue 

“My favorite band right now is Backyard Tire Fire and they sometimes remind me of early Wilco, Sonvolt, and Flaming Lips. And they unabashedly name check both Wayne Coyne and Tom Petty in song. They are my earworm the last few months.” – Johnny Hickman, Cracker

“It takes a pretty special band to rivet the attention of everyone in my band, and BTF certainly are. Great songs, great playing and great guys. I’m really looking forward to the recording sessions- they’ve come up with another amazing batch of songs. In my opinion, they are one of America’s best young bands” – Steve Berlin, Los Lobos

Backyard Tire Fire is an American band that formed in Asheville, NC in 2000. The band began in the fall of that year with founding members John Walker (Hammond organ, Fender Rhoads) Edward David Anderson (songwriter, vocals, guitars) and Tim Kramp (drums, percussion). After a few line-up changes the band moved from Asheville to Athens, Georgia in 2002. They (along with then-bass player Warren Hawk) released their first album Live at the Georgia Theatre later that year.

After the release of their debut album, Backyard Tire Fire relocated to Bloomington, Illinois and added Anderson’s brother Matt (bass, vocals) into the mix. The Anderson brothers originally grew up in St. Charles, IL, Tim Kramp in Bloomington, IL and Edward David Anderson received a masters degree from Illinois State University (located in Normal, IL, Bloomington’s sister town). They recorded and released their first self-titled studio record in 2003 which was co-produced by Tony SanFilippo and recorded in analog at SanFilippo’s Oxide Lounge in Bloomington, IL. This began the relationship between BTF and Sanfilippo who co-produced and recorded their next three albums and 2 EPs.

2005 brought the release of Bar Room Semantics which was the first record to receive national recognition in the press from Harp Magazine and The band began touring heavily on a national scale in 2006 supporting artists like The Mother Hips, Will Hoge, North Mississippi Allstars as well as playing festivals like South by Southwest, High Sierra Music Festival in California, and 10,000 Lakes Festival in Minnesota.

Vagabonds and Hooligans was released February 6, 2007, and received a larger national spotlight with praise coming from USA Today, and several influential bloggers including My Old Kentucky Blog and An Aquarium Drunkard. The band continued their heavy touring playing close to 150 shows that year with a diverse mix of bands including William Elliot Whitmore, Melissa Ferrick, JJ Grey & MOFRO, Clutch, and Cracker. The supporting slots with Cracker brought them praise from Johnny Hickman who became an ardent supporter of the band saying, “My favorite band right now is Backyard Tire Fire and they sometimes remind me of early Wilco, Son Volt, and Flaming Lips. And they unabashedly name check both Wayne Coyne and Tom Petty in song. They are my earworm the last few months.”

2008 found them signed to NYC-based label HYENA Records for the release of The Places We Lived on Aug. 26th, 2008. The Places We Lived was a bit of a departure stylistically for the band as a portion of the record found the band focused on piano-based songs such as “Everybody’s Down”, “Rainy Day Don’t Go Away” and “The Places We Lived”. The record continued their national growth in the press as they were a Paste Magazine “Band of the Week” and received heavy airplay from nationally syndicated radio programs like Mountain Stage and Acoustic Cafe, Sirius/XM’s Loft and XMU and non-commercial AAA radio stations like Louisville’s WFPK, Asheville’s WNCW, and Cincinnati’s WNKU. They continued their heavy touring which found them on the road with old Athens friends Bloodkin, Lynyrd Skynyrd’s Simple Man Cruise, Reverend Horton Heat, Nashville Pussy, Ha Ha Tonka, Rose Hill Drive and a fortuitous support slot for Los Lobos in the band’s hometown of Bloomington. The support slot introduced the band to Steve Berlin, who soon after signed on to produce their next record. -Wikipeda


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George Burrows' fascination with live music began in the 60's. He saw Cream on October 14, 1968, at Vets Auditorium in Des Moines, One year later Burrows attended The Denver Pop Festival in Mile High Stadium. He witnessed The Jimi Hendrix Experience's final gig on June 29, 1969. His list of artists included many who have shaped music for decades. Around 1993 Burrows become friends/colleagues with people in the music industry. He had developed an impressive networking resume which he used it to his advantage and began a concert photography website. He worked for free through multiple live music websites designed to promote live music and the often struggling artists and venues. His shoot for no pay was an obstacle with other photographers. Burrows’ sole purpose for LGS was for the art, not monetary means. He lived in the music environment and soon developed name recognition. After the loss of his brother, a professional drummer, in 2014, he became serious about becoming a drummer. Burrows began drum lessons. The LGS website, contributors and his studies did not match. In 2016 he was about to pull the plug on LGS and embrace drumming. After a chance consultation with one of the most highly regarded session drummers and programmers today he got his answer. Start a website featuring only drummers. With help, he launched Burrows added his passion for drumming with his expertise of live music photography by launching Drummer Photographer LGS.