This was my first concert in The Main Lounge that provided seating. I did not sit; rather I walked throughout the venue taking pictures and listening from various locations.  I was impressed with Abraham Inc. They mixed several musical flavors, or as Socalled states, “super-hybrid monster music.” I cannot help but make a reference to the music of Frank Zappa.  When Fred Wesley handled the vocals, I had visions of Ike Willis. Clarinetist David Krakauer helped provide an abstract/progressive element.   So-called even stated (to me) that he had just received an email from Frank stating that he liked their music.

Abraham Inc may have caught the crowd off guard with their infectious groove of traditional Jewish rhythms and hip hop. The last two numbers brought the crowd to their feet. Many danced where they stood and a veteran dance couple displayed their talents in front of the stage.

I attended Abraham Inc. based solely on a radio interview with trombonist, arranger, singer Fred Wesley.  Fred was the only member of the main three that was familiar.  I have just broadened my musical scope to include Abraham Inc.

Abraham Inc. consists of David Krakauer, clarinet, Fred Wesley, trombone, Socalled, keyboard, samples, vocals, C-Rayz Walz, rapper, Sheryl Bailey, guitar, Jerome Harris, bass, Michael Sarin, drums, Igmar Thomas, trumpet, Allen Watsky, rhythm guitar and Brandon Wright, saxophone.



Abraham Inc Website

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George Burrows' fascination with live music began in the 60's. He saw Cream on October 14, 1968, at Vets Auditorium in Des Moines, One year later Burrows attended The Denver Pop Festival in Mile High Stadium. He witnessed The Jimi Hendrix Experience's final gig on June 29, 1969. His list of artists included many who have shaped music for decades. Around 1993 Burrows become friends/colleagues with people in the music industry. He had developed an impressive networking resume which he used it to his advantage and began a concert photography website. He worked for free through multiple live music websites designed to promote live music and the often struggling artists and venues. His shoot for no pay was an obstacle with other photographers. Burrows’ sole purpose for LGS was for the art, not monetary means. He lived in the music environment and soon developed name recognition. After the loss of his brother, a professional drummer, in 2014, he became serious about becoming a drummer. Burrows began drum lessons. The LGS website, contributors and his studies did not match. In 2016 he was about to pull the plug on LGS and embrace drumming. After a chance consultation with one of the most highly regarded session drummers and programmers today he got his answer. Start a website featuring only drummers. With help, he launched Burrows added his passion for drumming with his expertise of live music photography by launching Drummer Photographer LGS.